by Luna

by Luna

Luna

Luna

Blog Intro

Hello, I'm Luna, and I'd like to welcome you to "Kisses from Kairo,"* my blog about living and working as an American belly dancer in Cairo.

Life in Cairo isn't easy for dancers, foreigners, women, or even Egyptians. It is, however, always thrilling. This was what inspired me to share my exquisitely unique experiences with the world. From dancing at the most prestigious venues to almost being deported, not a day had passed without something unexpected or magical happening. You will thus find these pages filled with bits of my history in Cairo (2008 - 2018) —my experiences, successes, mistakes, and observations.

You will also find my thoughts on different aspects of Egyptian culture and political developments, as well as my personal struggles living through the revolution.

I should note that I have a love/hate relationship with Egypt. Any criticisms about the country were made with the utmost love, respect, and honesty. As this country had become my home, I wanted to avoid romanticizing and apologizing for its myriad social maladies, as most foreigners have done; I always found that approach misguided, patronizing, and insulting.

I hope you find this blog insightful and entertaining, and that we can make this as interactive as possible. That means I'd love to hear from you. Send me your comments, questions, complaints, suggestions, pics, doctoral dissertations, money, etc., and I will get back to you. Promise. :)~



My Videos

Saturday, December 13, 2014

Creating Your Own Style


There's a recent trend emerging in the international belly dance community that's come to my attention. It's the obsession with creating your own style. Over the past year, I've had several workshop attendees ask me how to do this, and how I created mine. This is an important question, but also a bit misguided...at least as it pertains to me. I didn't create my own style. It created itself. I didn't sit down with myself one day and say hey, I've been dancing professionally now for x amount of years, it's time to create my own set of moves and combinations. I mean it's OK to have that conversation with yourself, but it's neither necessary nor guaranteed to result in your own signature moves. Rather, as I suspect happens with many dancers known for being different, we stumble upon new moves as we advance in our careers. Not while taking classes, but on the stage and while practicing in the studio. I've noticed that the more we perform and choreograph, the more our bodies reveal different ways of moving to us. 

As with everything, this is a process that comes easier to some of us than others. After all, life is not fair. We don't all have the same opportunities, abilities, experiences, or resources. And we're talking about art here. Art is a very personal enterprise. It depends on factors that vary from individual to individual, such as access to training; how long you've been dancing; training in other dance or art forms; body type and overall health; technical ability; cognitive ability; personality; psychological disposition, aptitude for creativity; ability to think abstractly; intellectual background; life experience; worldview; spiritual inclinations; economic and social status; the environment one grew up in; the languages they have access to; childhood experiences, etc. Art depends on all that-- on everything that makes you unique. That's why one person's art will look different from another's. If it doesn't, that person is a copy artist.