by Luna

by Luna

Luna

Luna

Blog Intro

Hello, I'm Luna, and I'd like to welcome you to "Kisses from Kairo,"* my blog about living and working as an American belly dancer in Cairo.

Life in Cairo isn't easy for dancers, foreigners, women, or even Egyptians. It is, however, always thrilling. This was what inspired me to share my exquisitely unique experiences with the world. From dancing at the most prestigious venues to almost being deported, not a day had passed without something unexpected or magical happening. You will thus find these pages filled with bits of my history in Cairo (2008 - 2018) —my experiences, successes, mistakes, and observations.

You will also find my thoughts on different aspects of Egyptian culture and political developments, as well as my personal struggles living through the revolution.

I should note that I have a love/hate relationship with Egypt. Any criticisms about the country were made with the utmost love, respect, and honesty. As this country had become my home, I wanted to avoid romanticizing and apologizing for its myriad social maladies, as most foreigners have done; I always found that approach misguided, patronizing, and insulting.

I hope you find this blog insightful and entertaining, and that we can make this as interactive as possible. That means I'd love to hear from you. Send me your comments, questions, complaints, suggestions, pics, doctoral dissertations, money, etc., and I will get back to you. Promise. :)~



My Videos

Thursday, August 7, 2014

Always Let Your Music Be Your Guide: Choreography vs. Improvisation

Something I’ve always been curious about was whether Cairo’s belly dance stars choreograph their shows.  I remember watching Dina, Randa, Soraya and Asmahan for the first time seven years ago, thinking there's no way such artistic genius could be produced spontaneously. At the time, I was a choreography junkie, and I imagined everyone else to be. I couldn't believe that improv could look so good.  Until now, I still don’t know whether/which dancers choreograph. I’ve never asked any of them, and I don't exactly suppose I’d get honest answers if I did
If my onstage experiences are similar to those of other Cairo dancers, however, I think it’s safe to assume that most of us do both choreography and improvisation--depending on where we are in our careers. I’ll speak for myself at least. Currently, I mostly improvise. But that wasn’t always the case. When I first started performing regularly here four  years ago, I relied heavily on choreography. My own, of course. Back then, the thought of dancing to live music for live Egyptians :) terrified me. I was afraid that if I improvised, I would be boring, or “mess up,” so I choreographed every single doom and tek until the piece was airtight. I also figured that performing choreography would free my mind to concentrate on posture, hands, emotions, and presence, and that if I were too busy thinking up the next step, all those other aspects of my performance would suffer.